Autor/-in: George Byrne
George Byrne creates large-scale photographs that depict everyday surfaces and landscapes as painterly abstractions. Borrowing from the clean, vivid clarity of modernist painting, he also references the New Topographics photography movement via a subject matter firmly entrenched in the urban everyday.
“I’d always been interested in urban photography, but it wasn’t until I moved to LA and started shooting in color and experimenting with manipulation and assemblage that I felt I was able to do anything very expressive or original with it. The images I’m making now are based on reality but quite removed from it at the same time, hence the effect is one of pleasurable disconcertion. They are dreamscapes." – GB.
Born in Sydney in 1976, Byrne graduated from Sydney College Of The Arts in 2001, traveled extensively, and then settled in Los Angeles in 2011 - where he now lives and works.
“I’d always been interested in urban photography, but it wasn’t until I moved to LA and started shooting in color and experimenting with manipulation and assemblage that I felt I was able to do anything very expressive or original with it. The images I’m making now are based on reality but quite removed from it at the same time, hence the effect is one of pleasurable disconcertion. They are dreamscapes." – GB.
Born in Sydney in 1976, Byrne graduated from Sydney College Of The Arts in 2001, traveled extensively, and then settled in Los Angeles in 2011 - where he now lives and works.
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Post Truth
A love letter to Los Angeles through the lens of a pastel postmodernism
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CHF 61.–
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Ethnographic Constructions of Indigenous Others
Indigeneity, Climate Change, and The Limits of Western Epistemology
-22.6 %
CHF 209.–
