BBC Radiophonic Workshop

Source: Wikipedia. Pages: 23. Chapters: BBC Radiophonic Workshop albums, Delia Derbyshire, Daphne Oram, BBC Radiophonic Workshop A Retrospective, Doctor Who: 30 Years at the BBC Radiophonic Workshop, Doctor Who at the BBC Radiophonic Workshop Volume 1: The Early Years 19631969, BBC Sound Effects No. 26 Sci-Fi Sound Effects, Doctor Who The Music, Brian Hodgson, Doctor Who at the BBC Radiophonic Workshop Volume 2: New Beginnings 19701980, BBC Radiophonic Music, Out of This World, BBC Radiophonic Workshop 21, BBC Sound Effects No. 19 Doctor Who Sound Effects, Peter Howell, Doctor Who at the BBC Radiophonic Workshop Volume 3: The Leisure Hive, Doctor Who at the BBC Radiophonic Workshop Volume 4: Meglos & Full Circle, The Radiophonic Workshop, Doctor Who The Music II, Dick Mills, Music from the BBC Radiophonic Workshop, Paddy Kingsland, The Soundhouse, Desmond Briscoe, The John Baker Tapes Volume One: BBC Radiophonics, Roger Limb, Fourth Dimension, Through a Glass Darkly, Mark Ayres, Richard Attree, Elizabeth Parker, David Cain, The Living Planet Music from the BBC TV Series, Malcolm Clarke, Richard Yeoman-Clark, Maddalena Fagandini, Glynis Jones, Jonathan Gibbs. Excerpt: The BBC Radiophonic Workshop, one of the sound effects units of the BBC, was created in 1958 to produce effects and new music for radio, and was closed in March 1998, although much of its traditional work had already been outsourced by 1995. It was based in the BBC's Maida Vale Studios in Delaware Road, London, growing outwards from the then-legendary Room 13. The innovative music and techniques used by the Workshop made it one of the most significant influences on electronic music today. Dick Mills, BBC Radiophonic Workshop reunion live at the Roundhouse in 2009 The Workshop was set up to satisfy the growing demand in the late 1950s for "radiophonic" sounds from a group of producers and studio managers at the BBC, including Desmond Briscoe and Daphne Oram. For some time there had been much interest in producing innovative music and sounds to go with the pioneering programming of the era, in particular the dramatic output of the BBC Third Programme. Often the sounds required for the atmosphere that programme makers wished to create were unavailable or non-existent through traditional sources and so some, such as the musically trained Oram, would look to new techniques to produce effects and music for their pieces. Much of this interest drew them to musique concrète and tape manipulation techniques, since using these methods could allow them to create soundscapes suitable for the growing range of unconventional programming. When the BBC noticed the rising popularity of this method they established a Radiophonic Effects Committee, setting up the Workshop in rooms 13 & 14 of the BBC's Maida Vale studios with a budget of £2,000. The Workshop regularly released technical journals of their findings - leading to some of their techniques being borrowed by sixties producers and engineers such as Eddie Kramer. In 1958, Desmond Briscoe was appointed the Senior Studio Manager with Dick Mills employed as a technical assistant. Much of The Radiophonic Workshop's early work was in