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Interrupting the Machine
Theatre as a Site of Dis-Automation in the Age of AI
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Auf Lager:
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Zustellung: Do, 26.02.2026
Versand: Kostenlos
CHF 45.75
Beschreibung
Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing “dis-automation dramaturgy. ” Through a detailed phenomenological and intermedial study of Forced Entertainment’s Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions - moments of reflection and reoriented sensibility - in the algorithmic flow. Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
